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        • Uk-UalLCC-photo MFA Group Show
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        • MAKE+3RD STOP MAKE+LAB
        • ART-BA-BA流动空间:“群岛” Art-Ba-Ba Mobile Space:"Archipelago"
        • 磁场 :毕蓉蓉&张如怡 CONVERGING ENERGIES:Bi Ringrong & Zhang Ruyi
        • 太阳 THE SUN
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        • Show Room : 陈天灼&上官喆
        • Monica Dematté' curating
        • 机器视觉 Machine Vision
        • ARTBABA流动空间压路机项目之:群展“夜袭” the Road Roller project:Night Strike
      • 2012 >
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        • 为了明日的聚会 All Tomorrow’s Parties
        • 究竟是什么使得世界末日如此的吸引人?JUST WHAT IS IT ABOUT THE END OF THE WORLD THAT MAKES IT SO APPEALING?
        • 今日美术馆:2012之舟,优秀作品巡展 上海站 Today Art Museum: The Boat Of 2012 Winning Artworks tour Exhibition -Shanghai
        • 北欧摄影展NORDIC PHOTOGRAPHY EXHIBITION
        • 2012第九届上海双年展特别项目“中山公园计划” 《隐性脐带》—2436a展The 2012 9th Shanghai Bi
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      • 苏珊·安克 Suzanne Anker:系列讲座
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      • 开幕OPENING: ART THAT HEELS - 2013 ELLE 25th ANNIVERSARY SPECIAL PROJECT
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      • Opening:机器视觉 Machine Vision
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      • Opening:为了明日的聚会 All Tomorrow’s Parties
      • Opening:究竟是什么使得世界末日如此的吸引人?JUST WHAT IS IT ABOUT THE END OF THE WORLD THAT MAKES IT SO APPEALING?
      • “究竟是什么使得世界末日如此吸引人?&"期待再次见到你" "Just what is it that makes The end of the world so
      • 摄影师 Elin Høyland, Mads Nissen 开幕式讲座!lecture of Photographers On Opening!
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      • 上海外滩美术馆:讲座-始于人际网络 RAM: Begin with Network
      • 太阳神经丛 开幕!Solar Plexus Opening !
      • 5月7日 关于声音艺术的座谈
      • 15:30, April 14th 现场声音表演sound performances
      • 《共振峰FORMANT 》 opening
      • 晕轮效应 The Halo Effect opening
      • 第三届北欧纪录片电影节上海外滩美术馆RAM展映
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      • 上海外滩美术馆RAM :影像之七嘴八舌Video Art in the New Decade Seminar
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  • Publications
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    • 吉福岛 GIF LISLAND-苗颖 YING MIAO
    • 炸金花扑克牌“News from Shiman” /叶甫纳 design: Funa Ye
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      • ArtReview:Miao Ying .gif Island V Art Centre,Shanghai 10Oct-10Dec
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      • 《artforum》苗颖:吉福岛 |Miao Ying:Gif Island
      • 彩虹幻象:培养皿中的未来人类世界,2014-10-18 ,文 ivyivymuami
      • hiart - hi人物:张天军
      • 《NUMERO大都市》探访工作室-张天军 青春安得不老泉
      • 《艺术时代》“历史与乡村”的历史批判与实践介入-2014 7-8
      • 《艺术世界artworld》面对身份困境的困境—关于轻罪与炸金花
      • 《艺术界LEAP》上.中.下 右册页
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      • 《罗博报告》叶甫纳.垃圾花养成记-08传承特辑01
      • 《艺术财经》-造个景,画个妆,打打扑克:叶甫纳和我们村的那点事儿
      • [艺术财经-媒介]兴奋即挪用-叶甫纳策划
      • 《典藏读天下‧今艺术》潜望镜 P74-75 2014.5 姚梦溪/文
      • 《新周刊》艺术ART / 一个重口为历史女青年的乡村考察 孙琳琳/文
      • ARTFORUM《叶甫纳-炸金花 》
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      • 《艺术世界artworld》丁乙:我的理想就是要培养有理想的学生
      • 燃点randian-online:非盈利机构的悖论 feature the not for profit paradox chao jiaxing
      • 《上海壹周Shanghai Weekly》No.686 , 2014
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      • 《艺术世界art world 279》《群岛、星丛、与块茎:放弃策展的展览》
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      • 《艺术界LEAP》事物状态 THE STATE OF THINGS 群岛/孤岛 上海.Shanghai
      • 《ELLE 世界时装之苑 》25Anniversary Issue- 高跟鞋的力量 ART that hells
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      • Blouinartinfo-the sun-plaster-cast-artist-tang-dixin
      • Shanghai Daily-Yang artists get back to nature
      • 上海壹周 [镜象]一场影像的梦ANIMATION EXHIBITION
      • 《ARTFORUM》王忠杰个展
      • 巴莎艺术BAZA ART 机器视觉
      • ELLECrossover of Funa Ye
      • 套在美术馆里面的电影院
      • Blouinartinfo: The best works from around the world for march 2013-Funa Ye fro V Art Centre
      • Blouinartinfo< Machine Vision >at V Art Center by Sam
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      • hiart 不尽兴 视界艺术中心上演“世界末日”第二展
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      • 上海壹周 [格调]他们的“末日”
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      • 《财富堂》上双中山公园特展2436a展FORTUNE ART ZHONGSHAN PARK-2436a
      • CHINA DAILY :Zhongshan Park Project—2436a exhibition in V Art Center
      • 《艺术界LEAP》&《时尚芭莎艺术BAZA ART》:“艺用情感展SENSATION”
      • 《艺术界LEAP》木工-“组织”个展
      • ARTFORUM:于吉个展“青苔”
      • 《艺术当代CHINA ART》 大于展览的太阳神经丛
      • HYPERALLERGIC: Building Networks Between Europe and Asia
      • ARTFORUM《共振峰FORMANT 》
      • 《艺术财经》:丁乙推荐板块:迟群、刘辛夷、于吉、潘小荣
      • 《艺术当代CHINA ART》“晕轮效应”
      • “晕轮效应” @叮当猫 Art-Ba-Ba
      • “迟群/方列丰/张新军” @叮当猫 Art-Ba-Ba
      • Randian-online: 凯梅Wang 为《晕轮效应》著文
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讲座:始于人际网络 Lecture:Begin with Network

了解更多信息请访问上海外滩美术馆官方网站:www.rockbundartmuseum.org
相关展览:《 MyPeople project》

嘉宾:

Anika Schwarzlose [德国/荷兰],

Brian D. McKenna[爱尔兰/英国],

吴珏辉

徐文恺Aaajiao

策划:巢佳幸 (视界艺术中心)

主持:  Ronnie Gillam [荷兰](《MyPeople》producer)

一个由来自荷兰,英国,上海,12位艺术家组成的群展 作为 一个名为《My People》的项目的第一站(相继在上海、伦敦、阿姆斯特丹)在m50视界艺术中心两个空间呈现,项目始于3地工作内容涉猎多元的艺术家主观期待的人际网络。

藉由展览契机,邀请该项目的组织者 Ronnie Gillam 引导部分参与艺术家交流相关反馈。 荷兰艺术家Anika Schwarzlose、 Brian D. McKenna  将首次在国内介绍他们的创作, 同时吴珏辉和 Aaajiao 也会探讨他们近期的工作重点 。

嘉宾简介:

Anika Schwarzlose [德国/荷兰]

Anika Schwarzlose  生于1982年,柏林。2009年,在荷兰阿姆斯特丹久负盛名的盖瑞特·瑞威尔德艺术设计学院(Gerrit Rietveld Academy)取得了学士学位。她近来在阿姆斯特丹工作并同时在瑞典的著名的马尔默艺术学院(Konsthögskolan i Malmö)攻读艺术硕士学位。她的作品围绕我们发明的用以组织世界的身边结构、方式和装置。而经常引用的如图片成像协调过程的摄像原理不仅是她作品中用以展现的手段更是其作品不可或缺的主题之一。其作品相继在美国奥马哈毕米思艺术中心(Bemis Art Center),德国,瑞典,荷兰等地展出,并且获得了2010/2011年度的由BKVB(荷兰基金会下的视觉艺术、设计和建筑协会基金会)出资的START奖学金的支持。

www.anikaschwarzlose.com/

Brian D. McKenna(爱尔兰/英国)

生于1975年,加拿大,渥太华。他如今在阿姆斯特丹工作和生活。Brian McKenna分别在加拿大的莱斯布里奇大学(The University of Lethbridge)和阿姆斯特丹的桑德伯格研究所(The Sandberg Institute)获得音乐和视觉艺术学位。他的影像安置工作研究了图像和声音之间特定和夸张的关系。

www.recordingmedium.com/

吴珏辉

吴珏辉是一个新传媒时代的艺术家。任教于中国美术学院跨媒体艺术学院。近几年, 清华大学艺术与科学中心媒体实验室、清华大学神经工程研究所、杭州电子科技大学图形图像研究所、瑞士联邦理工学院媒体与设计实验室等多家研究机构展开密切合作。2010年和邵鼎发起的“肉媒体”着力探究艺术和科学之间,人类身体和媒体之间潜在的接口和连接纽带。 通过设定开放式游戏规则来架设作品的“情感接口”

http://www.meatmedia.org/

徐文恺Aaajiao

徐文恺于1984年生于西安并且近来在上海定居。在多数的展览和其他公共场合下是以Aaajiao的名字面对大家的。在中国的艺术和信息技术界他的名字广为人知。Aaajiao 关注于数据的使用以及其多变的呈现形态,并且深谙作品的寓意在从现实到数据之间往复穿梭转换的过程中是如何被人领会的。他对中国新传媒最突出的美学贡献是社会因素,它作为一个途径来解释和沟通软件应用在艺术实践中的国内外趋势。

http://eventstructure.com/


know about more information in ROCK BUND ART MUSEUM :www.rockbundartmuseum.org
Relevant Exhibition:《Mypeople project》

Guests:

Anika Schwarzlose [German/Netherlands],

Brian D. McKenna[Canada/Netherlands],

Wu Juehui

Aajiao

Organizer:Chao Jiaxing(V Art Center)

Host:Ronnie Gillam  [Netherlands](《MyPeople》 producer)

This group exhibition displays artworks created by 12 artists from Netherlands,Britain and Shanghai.The exhibition is held at two showrooms in M50 V Art Center and as the first stop of  the project named《Mypeople》,the second and the third stop will be London and Amsterdam.The project launched by these talented artists is aim to show the network influence among people for the reason that these versatile artists from all over the world who are brought together here were just connected by the very interpersonal network.

By this opportunity,we will welcome Ronnie Gillam,the project organiser,to arrange interaction and feedback process.And our Netherlands artists,Anika Schwarzlose and Brian D.McKenna will introduce their creative work to our domestic fellows for the first time,and meanwhile Wu Juehuiand Aaajiao are also about to share their recent working experience.

Guests' Brief Introduction:

Anika Schwarzlose [German/Netherlands]

Anika Schwarzlose was born 1982 in Berlin, Ger­many. She received a BA from the Gerrit Rietveld Academy in Amsterdam in 2009. She’s currently working in Amsterdam and studying a MFA pro­gram at the Konsthögskolan i Malmö, Sweden. Her practice revolves around structures, methods and the devices we invent to organize the world around us. Often engaging photographic principles like the processes of image creation and mediation not only as means but also as the subject of her work. Exhibition相继 in Bemis Art Center, Omaha, USA, Germany, Sweden, The Netherlands  and so on . 2010/2011 supported by the startstipendium of the Fonds BKVB

Brian D. McKenna [Ireland/United Kingdom]

b. 1975, Ottawa, Canada.
Lives and works in Amsterdam.Brian McKenna completed degrees in Music and Visual-Art at the University of Lethbridge, Cana­da, and the Sandberg Institute in Amsterdam. His audio, video, and installation work investigates specific and literal relationships between image and sound.

Wu Juehui

Wu Juehui is a New Media Artist.He work as a teacher in China academy of art Studio of Embodied Media .In recent years, he has operated on the potential interface between art and science and between the human body and media in close collaboration with research insti­tutes such as TASML | Tsinghua Art and Science Media Laboratory, Institute of Neural Engineer­ing (Tsinghua University), Institute of Graphics and Image (Hangzhou Dianzi University), Media x Design Laboratory (EPFL). “MeatMedia” focus on the “Emotional Interface” of the works by setting the open rules of the game, to find a balance between“Dry”and“Wet”.

Xu Wenkai

Xu Wenkai, who uses the name Aaajiao in most exhibition and other public contexts, was born in Xi’an in 1984 and currently resides in Shanghai. His name is widely known within both art and technology circles in China. Aaajiao focuses on the use of data and its various forms of display, and how meaning is understood through the process of transforming movement from reality, to data, and back again. His most significant aesthet­ic contribution to new media in China is a social one, acting as a vector for the interpretation and communication of international and local trends in the usages of software in artistic practice.

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