V ART CENTER
  • EXHIBITION
    • Up Coming
    • Current
    • Past >
      • 2015 >
        • 新游戏 NEW GAMES
        • 希腾电子—流水线项目展之二 ​Prototypes Duplicates and Cast-off — Assembly Line Project 2
        • 不翼而飞影像作品展
        • Uk-UalLCC-photo MFA Group Show
        • 有保障,很稳定。— 流水线项目展 Assured Stability—an Assembly Line Exhibition
        • NO APPLE NO SHOW 用户展
        • The Dissident Compulsion, conflict and contempt
      • 2014 >
        • 吉福岛 GIF ISLAND—苗颖个展YING MIAO
        • 彩虹幻象 Rainbow Loom-苏珊·安克 Suzanne Anker
        • 青春之泉—张天军 IN SEARCH FOR THE FOUNTAIN OF YOUTH — ZHANG TIANJUN
        • TO_SH Torino Shanghai. Dialoghi d’arte
        • 炸金花News from Nowhere — 叶甫纳 Ye Funa Solo Exhibition
        • “工具展”
      • 2013 >
        • 异己 | DISSIDENT — 周明作品 | ZHOU MING
        • ART THAT HEELS - 2013 ELLE 25th ANNIVERSARY SPECIAL PROJECT
        • 星际大战-胡任乂作品 /THE WAR OF THE WORLDS -Hu Renyi Project
        • MAKE+3RD STOP MAKE+LAB
        • ART-BA-BA流动空间:“群岛” Art-Ba-Ba Mobile Space:"Archipelago"
        • 磁场 :毕蓉蓉&张如怡 CONVERGING ENERGIES:Bi Ringrong & Zhang Ruyi
        • 太阳 THE SUN
        • 纽约视觉艺术学院 5月影像季 SVA VIDEO TRIP
        • Show Room : 陈天灼&上官喆
        • Monica Dematté' curating
        • 机器视觉 Machine Vision
        • ARTBABA流动空间压路机项目之:群展“夜袭” the Road Roller project:Night Strike
      • 2012 >
        • TOF 小组 TOF-ART CHANNEL@视界艺术中心 vartcenter &尤伦斯当代艺术中心UCCA 同步Update
        • 为了明日的聚会 All Tomorrow’s Parties
        • 究竟是什么使得世界末日如此的吸引人?JUST WHAT IS IT ABOUT THE END OF THE WORLD THAT MAKES IT SO APPEALING?
        • 今日美术馆:2012之舟,优秀作品巡展 上海站 Today Art Museum: The Boat Of 2012 Winning Artworks tour Exhibition -Shanghai
        • 北欧摄影展NORDIC PHOTOGRAPHY EXHIBITION
        • 2012第九届上海双年展特别项目“中山公园计划” 《隐性脐带》—2436a展The 2012 9th Shanghai Bi
        • 杜撰MAKE UP
        • 艺用情感展 Sensation
        • 组织个展Woodcraft —exhibition of ZUZHI
        • 青苔-于吉个展 MOSS- Yu Ji Solo Exhibition
        • 太阳神经丛 Solar Plexus
        • 丁力个展 &刘真辰个展Dingli solo exhibition&Liu Zhenchen solo exhibition
        • 《共振峰——从聆听之形式到形式》FORMANT / FORMS OF LISTENING TO FORMS
        • 迟群 |方列丰 |张新军
        • 晕轮效应 The Halo Effect
      • 2011 >
        • 北欧摄影展(上海站) NORDIC PHOTOGRAPHY EXHIBITION (SHANG HAI)
        • 另一种讲述---影像实录
        • 法国雷恩市影像艺术节中国参展单元
        • shanghai,I bought you flowers- Johan Attia solo exhibition
        • 手感4——学习方法Hands4—learning methods
        • “Touch Sound-触摸声音”互动艺术装置
        • “课间” --------- 艺术设计教育的实验性初探
      • 2010 >
        • 一个视界正在建设中
        • 控制
  • NEWS
    • Current >
      • "DRINKING A DRINK,SINKING A SHIP"
      • ‘AS IF TRYING TO CATCH SMOKE’ 追烟
      • PERFERMENCE of Yiquan Wang at NO APPLE NO SHOW
    • Latest >
      • 苗颖网络个展 --- 好爱,感觉不会再累了 YING MIAO ONLINE SOLO SHOW-- MEANWHILE IN CHINA, SO IN LOVE, WILL NEVER FEEL TIERED AGAIN
      • 苏珊·安克 Suzanne Anker:系列讲座
      • 海德堡东亚艺术史主任 Professor Sarah E. Fraser 到访 “工具展”
      • 开幕OPENING: ART THAT HEELS - 2013 ELLE 25th ANNIVERSARY SPECIAL PROJECT
      • 开幕OPENING:星际大战-胡任乂作品 /THE WAR OF THE WORLDS -Hu Renyi Project
      • 开幕Opening:“群岛” "Archipelago"
      • 太阳THE SUN-E121.25 N31.12-民生现代美术馆Minsheng Moden Art Museum
      • OPENING- 太阳 THE SUN- PART1-'E121.48 N31.22'
      • Opening:机器视觉 Machine Vision
      • 群展“夜袭” 开幕之行为现场 Performance On Opening Of Night Strike
      • Opening:为了明日的聚会 All Tomorrow’s Parties
      • Opening:究竟是什么使得世界末日如此的吸引人?JUST WHAT IS IT ABOUT THE END OF THE WORLD THAT MAKES IT SO APPEALING?
      • “究竟是什么使得世界末日如此吸引人?&"期待再次见到你" "Just what is it that makes The end of the world so
      • 摄影师 Elin Høyland, Mads Nissen 开幕式讲座!lecture of Photographers On Opening!
      • 开幕Opening:“中山公园计划” 《隐性脐带》—2436a展 Zhongshan Park Project The Recessive Umbilical Cord—2436a exhibition
      • 艺用情感展 开幕现场 Sensation opening!
      • 青苔-于吉个展 开幕 MOSS- Yu Ji Solo Exhibition Opening
      • 组织个展Woodcraft —exhibition of ZUZHI 开幕opening!
      • 上海外滩美术馆:讲座-始于人际网络 RAM: Begin with Network
      • 太阳神经丛 开幕!Solar Plexus Opening !
      • 5月7日 关于声音艺术的座谈
      • 15:30, April 14th 现场声音表演sound performances
      • 《共振峰FORMANT 》 opening
      • 晕轮效应 The Halo Effect opening
      • 第三届北欧纪录片电影节上海外滩美术馆RAM展映
      • 北欧摄影展(上海站)开幕 NORDIC PHOTOGRAPHY EXHIBITION (SHANG HAI) opening!
      • 上海外滩美术馆RAM :影像之七嘴八舌Video Art in the New Decade Seminar
      • 另一种讲述—影像实录 开幕!
      • 来了参观团
  • Publications
    • Publish of the BOOK"News from Nowhere" 炸金花:叶甫纳书册发布
    • 吉福岛 GIF LISLAND-苗颖 YING MIAO
    • 炸金花扑克牌“News from Shiman” /叶甫纳 design: Funa Ye
    • 2013 ELLE 25th ANNIVERSARY SPECIAL PROJECT 2013 世界时装之苑中国创刊25周年特别项目
    • 磁场 :毕蓉蓉&张如怡 CONVERGING ENERGIES:Bi Ringrong & Zhang Ruyi
    • “末日”展集 brochure of "The end of world"
    • 艺用情感展 Sensation 电子画册
    • 太阳神经丛 Solar Plexus 电子折页
    • 晕轮效应 The Halo Effect 电子画册
    • 《另一种讲述—影像实录》电子书
  • Media Exposure
    • 2015 >
      • 艺术界 LEAP:New Directions Miao Ying and The First Generation of Chinese Net Art
      • new museum Rhizome Today:Fav Links of 2014(part 5,Ying Miao and sis)
      • ArtReview:Miao Ying .gif Island V Art Centre,Shanghai 10Oct-10Dec
    • 2014 >
      • VICE:The Untapped Creativity of the Chinese Internet ,by Ben Valentine
      • 《artforum》苗颖:吉福岛 |Miao Ying:Gif Island
      • 彩虹幻象:培养皿中的未来人类世界,2014-10-18 ,文 ivyivymuami
      • hiart - hi人物:张天军
      • 《NUMERO大都市》探访工作室-张天军 青春安得不老泉
      • 《艺术时代》“历史与乡村”的历史批判与实践介入-2014 7-8
      • 《艺术世界artworld》面对身份困境的困境—关于轻罪与炸金花
      • 《艺术界LEAP》上.中.下 右册页
      • 墙报-
      • 《罗博报告》叶甫纳.垃圾花养成记-08传承特辑01
      • 《艺术财经》-造个景,画个妆,打打扑克:叶甫纳和我们村的那点事儿
      • [艺术财经-媒介]兴奋即挪用-叶甫纳策划
      • 《典藏读天下‧今艺术》潜望镜 P74-75 2014.5 姚梦溪/文
      • 《新周刊》艺术ART / 一个重口为历史女青年的乡村考察 孙琳琳/文
      • ARTFORUM《叶甫纳-炸金花 》
      • 《hi art年中盘点》上半年最活跃的10间非营利空间
      • 雅昌arton-头条(艺术非营利调查报告之二)独立艺术空间在中国
      • 《艺术世界artworld》丁乙:我的理想就是要培养有理想的学生
      • 燃点randian-online:非盈利机构的悖论 feature the not for profit paradox chao jiaxing
      • 《上海壹周Shanghai Weekly》No.686 , 2014
    • 2013 >
      • 《ARTFORUM》500WORDS 叶甫纳谈自身创作
      • Blouinartinfo ELLE's-Shoe-Fetish-Show-Art-That-Heels-Opens-At-V-Art-Center
      • hi art : 超城空间、久画廊、零艺术中心、器·Haus空间、视界艺术中心
      • 《艺术世界art world 279》《群岛、星丛、与块茎:放弃策展的展览》
      • 《去界的风景》陆兴华/文
      • 《艺术界LEAP》事物状态 THE STATE OF THINGS 群岛/孤岛 上海.Shanghai
      • 《ELLE 世界时装之苑 》25Anniversary Issue- 高跟鞋的力量 ART that hells
      • 《NUMERO大都市》梦的筹措
      • 《艺术时代 ART TIME》-太阳THE SUN
      • Blouinartinfo-the sun-plaster-cast-artist-tang-dixin
      • Shanghai Daily-Yang artists get back to nature
      • 上海壹周 [镜象]一场影像的梦ANIMATION EXHIBITION
      • 《ARTFORUM》王忠杰个展
      • 巴莎艺术BAZA ART 机器视觉
      • ELLECrossover of Funa Ye
      • 套在美术馆里面的电影院
      • Blouinartinfo: The best works from around the world for march 2013-Funa Ye fro V Art Centre
      • Blouinartinfo< Machine Vision >at V Art Center by Sam
      • 《LEAP艺术界》夜袭Night Raids
      • 艺术界LEAP事物状态
      • 《ARTFORUM》究竟是什么使得世界末日如此吸引人?
      • hiart 不尽兴 视界艺术中心上演“世界末日”第二展
      • 《艺术当代CHINA ART》调侃“世界末日”&时间之力
      • 《艺术当代CHINA ART》遭遇变更,再谈‘规则’
    • 2012 >
      • 上海壹周 [格调]他们的“末日”
      • 上海壹周 [关注]‘末日’来临前
      • 《ilook》究竟是什么使得世界末日如此吸引人
      • 《财富堂》上双中山公园特展2436a展FORTUNE ART ZHONGSHAN PARK-2436a
      • CHINA DAILY :Zhongshan Park Project—2436a exhibition in V Art Center
      • 《艺术界LEAP》&《时尚芭莎艺术BAZA ART》:“艺用情感展SENSATION”
      • 《艺术界LEAP》木工-“组织”个展
      • ARTFORUM:于吉个展“青苔”
      • 《艺术当代CHINA ART》 大于展览的太阳神经丛
      • HYPERALLERGIC: Building Networks Between Europe and Asia
      • ARTFORUM《共振峰FORMANT 》
      • 《艺术财经》:丁乙推荐板块:迟群、刘辛夷、于吉、潘小荣
      • 《艺术当代CHINA ART》“晕轮效应”
      • “晕轮效应” @叮当猫 Art-Ba-Ba
      • “迟群/方列丰/张新军” @叮当猫 Art-Ba-Ba
      • Randian-online: 凯梅Wang 为《晕轮效应》著文
      • ARTFORUM:学习方法
  • About
    • About V Art Center
    • Download
  • Contact

《青苔之轻》MOSS  Yu Ji Solo Exhibition

于吉的创作一直与自然相关,借用自然原型再延展的手法,用柔美、轻巧、敏感加以归纳,对自然物干预手段的不着力之轻,营造出无限的禅意。正如她对“青苔”主题的阐述:“水生苔藓植物,生长在水中或陆地阴湿处,无根无茎无叶。它不知从何处开始生长,也未知在那里收止。它颜色神秘,不易觉察地变化。”悬浮的方式与表皮的平淡互相交织将观者引领到自然中毫不起眼的场景里。在此,无需联想,静默地体验、感受足矣。于吉的才华在于拥有微弱地控制或者有限度地介入作品内在关联的能力。其创作意图并不在重塑景观,而是沉湎于微观的物质质感。

对象复制与时间痕迹是于吉近期作品的主线,“关于一个想法的一个实验”以摹写、影印树枝光影来探讨临摹动机下实景和虚影互相对应的依托结构。方法上借用科学实验式的标本采集模式,把客观性作为工作的前提理由。“绿毛怪”则是对普通鹅卵石进行技术处置,耗时钻洞、植入脱发,将自然物、人体产生之物嫁接成奇异的感性表述。“从2005年到2012年的478个小时”同样以时间性为线索,在时段概念中以设定、记录、累计日常工作量为定义,脱发被重新利用,精密的制作技艺与日志式体验连接铺展着作品意义。于吉沉浸在常态化耗时的劳作中,以自我确认的方向,不断垒叠简单又令人迷惑的含义,并将此转换成作品暖味的物质关系和来自生活的仪式化模式,以此规整俭省的美学界限。“污垢1202”对表现力的追寻仍然集中在物质自身能量方面。色彩关系不是来源于着色、染色系统,白蜡经过烧烤溶解导致黑白色变,偶然因素与预设的框式方块排列的结构形成有效地对随意性轻度的互动把控,铸就着作品细腻、寂静以及物质变异的条件。

于吉力图使作品在逻辑上呈现干净、有节制的语言属性。以对痕迹的重新定义来自我肯定一系列个人行为的价值。她用静态、充满细部的替代物混淆着真实自然,纯净着视觉所及的色彩,含蓄地轻触我们的感官。正是对自然物引申出的图像持续关注,以及连续的造型思想表述趋向,集成了她作品风格的基本范式。

                                                                                                                                                                                                      丁乙  2012.6.22



Yu Ji’s creation is always related to nature. She creates an infinite sense of Zen by extending the model of nature, summing it all up with softness, lightness and sensitivity, intervening in things natural in such a light manner that it seems little force is applied, as she states in describing the theme of ‘Moss’: ‘A bryophyte that lives in water or damp places on the land, without roots, stocks or leaves. It is not know where it begins to grow or where it ends. It has mysterious colours that change imperceptibly.’ The way it suspends itself and the plainness of its surface are interwoven in such a way that the viewer is taken to a scene that is unstriking in nature. There is no need here for association as it is sufficient to experience it, to feel it, in total silence. Yu Ji’s talent lies where she has the ability to microly control the inner connection of the work or intervene in it in a limited manner, her intent not to re-shape the view but to indulge in the materiality of things on a micro basis.


 

The mainline that runs through Yu Ji’s recent work is reproduction of objects and traces of time. ‘An Experimentation with a Thought’ explores the support structure in which the real view interacts with empty shadows, driven by the motives of copying, by way of copying and photocopying the light and shadows playing on the tree branches. In terms of its methodology, a model of sampling in scientific experiment was adopted, with objectivity as the premises for the work. ‘Green-haired Monster’ is a technical treatment with ordinary pebbles, in which things natural and things created by human body are grafted to create a strange expression by spending time in drilling holes and planting shed hairs. Likewise, ‘478 Hours from 2005 to 2012’ is based on time as a clue, setting, recording and accumulating the daily work load as a definition in the concept of time segments, in which shed hairs are re-used and sophisticated manufacturing technology is connected with logbook-like experience in a way that spreads the meaning of the work. Yu Ji submerges herself in the time-consuming labour and, by taking a self-determining direction, she keeps heaping on meaning that is both simple and fascinating, turning it into an ambiguous material relationship of the work and a ritualized model that originates in life, thus defining a frugal aesthetic boundary. ‘Dirt 1202’ has its focus still on the force of matter itself in its pursuit of expression, in which the relationship of colours does not come from the system of colouring and dyeing; instead, white wax, after burning, melts and leads to the colour-changing of black and white, with incidental elements and the structure of pre-set frame-like squares forming a dynamic control that is effectively and randomly done, casting conditions for exquisiteness, quietness and the change of matter in the work.

 

Yu Ji tries to present a linguistic quality in her work that is logically clean and restricted, and she self-confirms a series of individual values by re-defining traces. With still substitutes filled with detail, she confuses the real and the natural as she purifies the colours that touch the eye, brushing against our sensory organs in a most subtle way. It is her continued attention to the images induced from things natural and her tendency to express continual figure-making thoughts that forms the basic paradigm of her style.

 

                                                                                                                                                                                              Ding Yi, 22 June 2012

Powered by Create your own unique website with customizable templates.