V ART CENTER
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    • Past >
      • 2015 >
        • 新游戏 NEW GAMES
        • 希腾电子—流水线项目展之二 ​Prototypes Duplicates and Cast-off — Assembly Line Project 2
        • 不翼而飞影像作品展
        • Uk-UalLCC-photo MFA Group Show
        • 有保障,很稳定。— 流水线项目展 Assured Stability—an Assembly Line Exhibition
        • NO APPLE NO SHOW 用户展
        • The Dissident Compulsion, conflict and contempt
      • 2014 >
        • 吉福岛 GIF ISLAND—苗颖个展YING MIAO
        • 彩虹幻象 Rainbow Loom-苏珊·安克 Suzanne Anker
        • 青春之泉—张天军 IN SEARCH FOR THE FOUNTAIN OF YOUTH — ZHANG TIANJUN
        • TO_SH Torino Shanghai. Dialoghi d’arte
        • 炸金花News from Nowhere — 叶甫纳 Ye Funa Solo Exhibition
        • “工具展”
      • 2013 >
        • 异己 | DISSIDENT — 周明作品 | ZHOU MING
        • ART THAT HEELS - 2013 ELLE 25th ANNIVERSARY SPECIAL PROJECT
        • 星际大战-胡任乂作品 /THE WAR OF THE WORLDS -Hu Renyi Project
        • MAKE+3RD STOP MAKE+LAB
        • ART-BA-BA流动空间:“群岛” Art-Ba-Ba Mobile Space:"Archipelago"
        • 磁场 :毕蓉蓉&张如怡 CONVERGING ENERGIES:Bi Ringrong & Zhang Ruyi
        • 太阳 THE SUN
        • 纽约视觉艺术学院 5月影像季 SVA VIDEO TRIP
        • Show Room : 陈天灼&上官喆
        • Monica Dematté' curating
        • 机器视觉 Machine Vision
        • ARTBABA流动空间压路机项目之:群展“夜袭” the Road Roller project:Night Strike
      • 2012 >
        • TOF 小组 TOF-ART CHANNEL@视界艺术中心 vartcenter &尤伦斯当代艺术中心UCCA 同步Update
        • 为了明日的聚会 All Tomorrow’s Parties
        • 究竟是什么使得世界末日如此的吸引人?JUST WHAT IS IT ABOUT THE END OF THE WORLD THAT MAKES IT SO APPEALING?
        • 今日美术馆:2012之舟,优秀作品巡展 上海站 Today Art Museum: The Boat Of 2012 Winning Artworks tour Exhibition -Shanghai
        • 北欧摄影展NORDIC PHOTOGRAPHY EXHIBITION
        • 2012第九届上海双年展特别项目“中山公园计划” 《隐性脐带》—2436a展The 2012 9th Shanghai Bi
        • 杜撰MAKE UP
        • 艺用情感展 Sensation
        • 组织个展Woodcraft —exhibition of ZUZHI
        • 青苔-于吉个展 MOSS- Yu Ji Solo Exhibition
        • 太阳神经丛 Solar Plexus
        • 丁力个展 &刘真辰个展Dingli solo exhibition&Liu Zhenchen solo exhibition
        • 《共振峰——从聆听之形式到形式》FORMANT / FORMS OF LISTENING TO FORMS
        • 迟群 |方列丰 |张新军
        • 晕轮效应 The Halo Effect
      • 2011 >
        • 北欧摄影展(上海站) NORDIC PHOTOGRAPHY EXHIBITION (SHANG HAI)
        • 另一种讲述---影像实录
        • 法国雷恩市影像艺术节中国参展单元
        • shanghai,I bought you flowers- Johan Attia solo exhibition
        • 手感4——学习方法Hands4—learning methods
        • “Touch Sound-触摸声音”互动艺术装置
        • “课间” --------- 艺术设计教育的实验性初探
      • 2010 >
        • 一个视界正在建设中
        • 控制
  • NEWS
    • Current >
      • "DRINKING A DRINK,SINKING A SHIP"
      • ‘AS IF TRYING TO CATCH SMOKE’ 追烟
      • PERFERMENCE of Yiquan Wang at NO APPLE NO SHOW
    • Latest >
      • 苗颖网络个展 --- 好爱,感觉不会再累了 YING MIAO ONLINE SOLO SHOW-- MEANWHILE IN CHINA, SO IN LOVE, WILL NEVER FEEL TIERED AGAIN
      • 苏珊·安克 Suzanne Anker:系列讲座
      • 海德堡东亚艺术史主任 Professor Sarah E. Fraser 到访 “工具展”
      • 开幕OPENING: ART THAT HEELS - 2013 ELLE 25th ANNIVERSARY SPECIAL PROJECT
      • 开幕OPENING:星际大战-胡任乂作品 /THE WAR OF THE WORLDS -Hu Renyi Project
      • 开幕Opening:“群岛” "Archipelago"
      • 太阳THE SUN-E121.25 N31.12-民生现代美术馆Minsheng Moden Art Museum
      • OPENING- 太阳 THE SUN- PART1-'E121.48 N31.22'
      • Opening:机器视觉 Machine Vision
      • 群展“夜袭” 开幕之行为现场 Performance On Opening Of Night Strike
      • Opening:为了明日的聚会 All Tomorrow’s Parties
      • Opening:究竟是什么使得世界末日如此的吸引人?JUST WHAT IS IT ABOUT THE END OF THE WORLD THAT MAKES IT SO APPEALING?
      • “究竟是什么使得世界末日如此吸引人?&"期待再次见到你" "Just what is it that makes The end of the world so
      • 摄影师 Elin Høyland, Mads Nissen 开幕式讲座!lecture of Photographers On Opening!
      • 开幕Opening:“中山公园计划” 《隐性脐带》—2436a展 Zhongshan Park Project The Recessive Umbilical Cord—2436a exhibition
      • 艺用情感展 开幕现场 Sensation opening!
      • 青苔-于吉个展 开幕 MOSS- Yu Ji Solo Exhibition Opening
      • 组织个展Woodcraft —exhibition of ZUZHI 开幕opening!
      • 上海外滩美术馆:讲座-始于人际网络 RAM: Begin with Network
      • 太阳神经丛 开幕!Solar Plexus Opening !
      • 5月7日 关于声音艺术的座谈
      • 15:30, April 14th 现场声音表演sound performances
      • 《共振峰FORMANT 》 opening
      • 晕轮效应 The Halo Effect opening
      • 第三届北欧纪录片电影节上海外滩美术馆RAM展映
      • 北欧摄影展(上海站)开幕 NORDIC PHOTOGRAPHY EXHIBITION (SHANG HAI) opening!
      • 上海外滩美术馆RAM :影像之七嘴八舌Video Art in the New Decade Seminar
      • 另一种讲述—影像实录 开幕!
      • 来了参观团
  • Publications
    • Publish of the BOOK"News from Nowhere" 炸金花:叶甫纳书册发布
    • 吉福岛 GIF LISLAND-苗颖 YING MIAO
    • 炸金花扑克牌“News from Shiman” /叶甫纳 design: Funa Ye
    • 2013 ELLE 25th ANNIVERSARY SPECIAL PROJECT 2013 世界时装之苑中国创刊25周年特别项目
    • 磁场 :毕蓉蓉&张如怡 CONVERGING ENERGIES:Bi Ringrong & Zhang Ruyi
    • “末日”展集 brochure of "The end of world"
    • 艺用情感展 Sensation 电子画册
    • 太阳神经丛 Solar Plexus 电子折页
    • 晕轮效应 The Halo Effect 电子画册
    • 《另一种讲述—影像实录》电子书
  • Media Exposure
    • 2015 >
      • 艺术界 LEAP:New Directions Miao Ying and The First Generation of Chinese Net Art
      • new museum Rhizome Today:Fav Links of 2014(part 5,Ying Miao and sis)
      • ArtReview:Miao Ying .gif Island V Art Centre,Shanghai 10Oct-10Dec
    • 2014 >
      • VICE:The Untapped Creativity of the Chinese Internet ,by Ben Valentine
      • 《artforum》苗颖:吉福岛 |Miao Ying:Gif Island
      • 彩虹幻象:培养皿中的未来人类世界,2014-10-18 ,文 ivyivymuami
      • hiart - hi人物:张天军
      • 《NUMERO大都市》探访工作室-张天军 青春安得不老泉
      • 《艺术时代》“历史与乡村”的历史批判与实践介入-2014 7-8
      • 《艺术世界artworld》面对身份困境的困境—关于轻罪与炸金花
      • 《艺术界LEAP》上.中.下 右册页
      • 墙报-
      • 《罗博报告》叶甫纳.垃圾花养成记-08传承特辑01
      • 《艺术财经》-造个景,画个妆,打打扑克:叶甫纳和我们村的那点事儿
      • [艺术财经-媒介]兴奋即挪用-叶甫纳策划
      • 《典藏读天下‧今艺术》潜望镜 P74-75 2014.5 姚梦溪/文
      • 《新周刊》艺术ART / 一个重口为历史女青年的乡村考察 孙琳琳/文
      • ARTFORUM《叶甫纳-炸金花 》
      • 《hi art年中盘点》上半年最活跃的10间非营利空间
      • 雅昌arton-头条(艺术非营利调查报告之二)独立艺术空间在中国
      • 《艺术世界artworld》丁乙:我的理想就是要培养有理想的学生
      • 燃点randian-online:非盈利机构的悖论 feature the not for profit paradox chao jiaxing
      • 《上海壹周Shanghai Weekly》No.686 , 2014
    • 2013 >
      • 《ARTFORUM》500WORDS 叶甫纳谈自身创作
      • Blouinartinfo ELLE's-Shoe-Fetish-Show-Art-That-Heels-Opens-At-V-Art-Center
      • hi art : 超城空间、久画廊、零艺术中心、器·Haus空间、视界艺术中心
      • 《艺术世界art world 279》《群岛、星丛、与块茎:放弃策展的展览》
      • 《去界的风景》陆兴华/文
      • 《艺术界LEAP》事物状态 THE STATE OF THINGS 群岛/孤岛 上海.Shanghai
      • 《ELLE 世界时装之苑 》25Anniversary Issue- 高跟鞋的力量 ART that hells
      • 《NUMERO大都市》梦的筹措
      • 《艺术时代 ART TIME》-太阳THE SUN
      • Blouinartinfo-the sun-plaster-cast-artist-tang-dixin
      • Shanghai Daily-Yang artists get back to nature
      • 上海壹周 [镜象]一场影像的梦ANIMATION EXHIBITION
      • 《ARTFORUM》王忠杰个展
      • 巴莎艺术BAZA ART 机器视觉
      • ELLECrossover of Funa Ye
      • 套在美术馆里面的电影院
      • Blouinartinfo: The best works from around the world for march 2013-Funa Ye fro V Art Centre
      • Blouinartinfo< Machine Vision >at V Art Center by Sam
      • 《LEAP艺术界》夜袭Night Raids
      • 艺术界LEAP事物状态
      • 《ARTFORUM》究竟是什么使得世界末日如此吸引人?
      • hiart 不尽兴 视界艺术中心上演“世界末日”第二展
      • 《艺术当代CHINA ART》调侃“世界末日”&时间之力
      • 《艺术当代CHINA ART》遭遇变更,再谈‘规则’
    • 2012 >
      • 上海壹周 [格调]他们的“末日”
      • 上海壹周 [关注]‘末日’来临前
      • 《ilook》究竟是什么使得世界末日如此吸引人
      • 《财富堂》上双中山公园特展2436a展FORTUNE ART ZHONGSHAN PARK-2436a
      • CHINA DAILY :Zhongshan Park Project—2436a exhibition in V Art Center
      • 《艺术界LEAP》&《时尚芭莎艺术BAZA ART》:“艺用情感展SENSATION”
      • 《艺术界LEAP》木工-“组织”个展
      • ARTFORUM:于吉个展“青苔”
      • 《艺术当代CHINA ART》 大于展览的太阳神经丛
      • HYPERALLERGIC: Building Networks Between Europe and Asia
      • ARTFORUM《共振峰FORMANT 》
      • 《艺术财经》:丁乙推荐板块:迟群、刘辛夷、于吉、潘小荣
      • 《艺术当代CHINA ART》“晕轮效应”
      • “晕轮效应” @叮当猫 Art-Ba-Ba
      • “迟群/方列丰/张新军” @叮当猫 Art-Ba-Ba
      • Randian-online: 凯梅Wang 为《晕轮效应》著文
      • ARTFORUM:学习方法
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NO APPLE NO SHOW 用户展 



陈熹|Cheng Xi    苗颖|Miao Ying    Roberto de la Torre (USA) 徐文恺|aaajiao     龚剑|Gong Jian   王欣|Wang Xin,王懿泉|Wang Yiquan
现场演出|Performence: 4.30|April 30th ,2015
王欣|Wang Xin - 17:30 pm 
王懿泉|Wang Yiquan - 18:30 pm

3.23-5.10,2015
11:30-18:00 ,周一、周五 闭馆|Monday \ Friday  Closed

视界艺术中心
上海莫干山路50号3号楼210
V ART CENTER
No.210,Building 3
Moganshan RD,M50,Shanghai

4.30-5.21,2015
WE GALLERY
上海市杨浦区军工路1436号(上海五维艺术产业园区)29幢
Building29,No.1436 Jungong Road(Wuwei Creative art park),Yangpu District,Shanghai

策划|Curated by 巢佳幸|Chao Jiaxing 

 我们在这个时代常提及“用户体验”。它本来自计算机及其网络语境中,是人对产品、系统或者服务的“认知”。倘若我们去讨论那些视为“产品”的艺术生产,那么它涉及的因素归结为人对艺术生产环境的“主观享受”。 我们在此呈现的是一组这类“用户体验”的主体,对象是苹果、是静物、是绘画、是图像、是智能手机、是网络游戏、是发烧友的时间……

“用户展第一部分”首先实现在视界艺术中心space1, 当称为“Iphone垃圾”的网络浏览作品(苗颖|Ying Miao)遇到服务器障碍时,它被迫作为DVD播放而转为静物;当抽象绘画被穿着成走秀服装时(陈熹|Cheng Xi-我的抽象画如衣服一样吸引人|My Abstract Painting as attractive as her clothes),艺术家已经再考虑用户的习惯,观众中潜在收藏家成为艺术品的用户;而苹果被疯狂甩置的时刻(陈熹|Cheng Xi - 公主七日|7P),我们又成为游戏设计中,外观和触感的用户;虽然Robeto de la Torre的灵感来自波兰的日常食物苹果和饥饿现实的悖论,而实际上,艺术家无意成为了传统静物图像的用户。

正是这样,现场行为演出成为滞留展览用户(观众)的转场工具。把观众带到宅男的世界,吹灭的是图像的背景,是导入iPhone图片的过程,是艺术家揉搓说唱,新闻,生活方式表象的过程。此刻表演者又是谁的用户(王懿泉|Wang Yiquan)?用玫红光谱的移动式房间“我们将改变艺术界” (王欣|Wang Xin),当作艺术家抑或策展人用户的画廊感觉好吗?而10个球体视频可能并非关乎制作媒介,仅仅是对“造型”命题欲望的用户尝试;来自淘宝的IPAD广告图,一本正经地被放大成抽象绘画(苗颖|Miao Ying-泰特抽象画),硬把展览的服务对象傍身为虚拟或现实环境的双重用户。对身边人事物情态的记录告诉他者:自己是时间的用户;而展览成为人群的用户(龚剑|Gong Jian)。而web浏览器的实践反复提醒我们,这是一组实际的艺术环境的“用户体验” ,不置可否!(徐文恺|aaajiao)。

We are often concerned about “Customer experience” in our time. It originally comes from the computer and internet contexts, referring to people’s “assessment” on the product, the system, or its customer service. If we were to discuss artistic production as the “product”, then we would be referring to elements of “subjective enjoyments” in the environment of artistic production. Hereby, we are presenting a series of subjects for “customer experience”, the object is the apple, the still object, the painting, the iconography, the smart phones, the internet games, the aficionados’ time…

“Customer Exhibition Part I” was first realized at the Visual Art Center Space 1, in which, the so-called, “Iphone trash” web-surfing artwork (Miao Ying) encountered server errors, it was forced to be converted into DVD format and played as still objects; where abstract painting was worn as fashion (Chen Xi/My Abstract Painting as attractive as her clothes), as the artist was already considering the customers’ habits, the potential collectors among the viewers became the users of the artwork; when the apple were thrown madly (Chen Xi/7P), we became the users of the surface and the player in designing a video game; even though Robeto de la Torre’s inspiration came from the paradox of the everyday food apple and the reality of starvation in Poland, in fact, the artist had no intension to become the user of traditional still object image.

 In this case, the performance at the scene will become the transitioning tools for the customers (users) of the exhibition. The exhibition will bing the viewer to the world of the geeks, where the background of the image will be blown out, it is not only a process for the artist to import the iphone images, but also that in which the artist amalgamates rap, news and the manifestations of life styles. At that moment, whose customer is the performer (Wang Yiquan)?  In the set up of a mobile rooms lit in pink, where “We will change the art world” (Wang Xin), how would the user of an art gallery feel for an artist or curator? And the ten spherical video might have little to do with the medium of production, but act as a desired “compositional” subject for the customer to experience; the IPAD ads image from Taobao, has been formally translated into large abstract paintings (Miao Ying/Tate Abstract Painting), forcefully transforming the objects of the exhibition as the user of a virtual and real environment. Telling others about people and circumstances of oneself: the self is the user of time; and the exhibition becomes the user of the viewers (Gong Jian). Moreover, using the search engine of the web repeatedly reminds us, this is an actual series of “customer experience” in an artistic environment, without commitment! (Xu Wenkai/aaajiao).

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